It’s Tuesday night.  I’m flying red-eye from Juneau to Orlando for NASA’s second-ever Shuttle launch Tweetup.  Seems like a good time to jot down what you can expect from me over the next few days.

I should be arriving at my Orlando hotel around noon on Wednesday, right about when this entry auto-posts, I suspect.  I’ve got half a day to recuperate from the jetlag and, in addition to enjoying an afternoon nap, I plan to tackle a few errands.

First, I need to experiment with a creative tripod solution for launch day.  I have, literally, four cameras at my disposal – not counting my iPhone! – and one thing I learned at the last launch is that one tripod is not enough.  To that end, I want to rig up some sort of contraption that lets me focus two or more cameras at the same subject – the Shuttle, obviously – so that I’m then able to pan and tilt them in tandem.  That’ll solve my dilemma of whether to shoot photos or video, right?  Should be interesting.

While experimenting with that, I’ll be charging all sorts of batteries.  I’m promised an air-conditioned tent, a seat at a table, and my own power strip at NASA’s press site, but it can’t hurt to be prepared.

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In 2008, Oksana and I purchased one-way tickets to Florida in the hope of buying a new car.  Fortunately, we found the perfect Jeep the very first day we were there and all we had to do was drive it back home to Alaska.

Even though the most prominent memories we have of the trip are of driving, Oksana constantly doing her MBA homework, driving, Oksana fielding calls from work and driving, we… where was I?  Oh, yeah.  Driving.  We actually did find time to explore a couple places.

I don’t remember how we picked out Bryce Canyon, but it turned out to be a great idea.  I don’t even know if it’s as great as our memories make it seem or if we were just thrilled to have one day on the trip that didn’t involve driving from point A to B.  At any rate, I sure wouldn’t mind going back again.

Once we got there, we scheduled a half-day, afternoon horseback ride; that left the morning for exploring the park.  We asked at the entrance what we could see and do in only four hours and soon after learned just how well it’s laid out.

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Have you ever thought about going to the Galapagos Islands?  How ‘bout this fall?

Here’s the deal.  Oksana and I will very likely be passing through Ecuador around October or November and I can’t imagine not taking her out to that amazing archipelago.  Unfortunately, it’s going to be way outside our budget of $100/day.  The rest of Ecuador is quite inexpensive, so we might just settle down for awhile and save up for the trip, but I’m hoping we can find another way…

When I was there in January, our group paid for a seven-day tour of the islands.  For the entire week, our home was the 78’ motor yacht, Floreana.  There’s room for 16 passengers (8 rooms), and everything from an English-speaking naturalist guide to three meals a day was provided.  Our itinerary generally consisted of two land excursions and two snorkeling excursions every day, with a couple of nights out on the towns (Puerto Ayora and San Cristóbal.)  Although there were only five people in our group, we quickly bonded all the other tourists and had a fantastic time!

Every time I bring up my trip to the Galapagos, someone says, “Oh, I’d love to go there someday.”  It gets me thinking.  How hard would it be to fill the Floreana with friends and family?

This is me, inviting you to join us on a Galapagos trip!

Let’s discuss the details a bit:

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Back in November, Oksana and I spent our vacation in Puerto Rico.  If you’ve been following along, you already know that we’ve already put together a video on the Arecibo Radio Telescope, plus a short little Culebra diving video.  One of the other places we visited happened to be right next to Arecibo: The Rio Camuy Caves Park.

We shot the opening clip with Oksana at the park, but because of the problems I’ve been having with my laptop, I wasn’t able to edit anything together while we were still in Puerto Rico.  This April, comfortably back at home, we recorded new voice-overs for the podcast using all sorts of new equipment we’d bought for our upcoming trip.  I’m curious to hear if you notice any difference…
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In keeping with this week’s theme…

When the Space Shuttle Discovery launched at 6:21am on the morning of April 5^th, the sun had not yet risen.  However, as the Shuttle itself disappeared into the distance, the horizon was beginning to brighten.  It was still pre-dawn when helpful voice over the loudspeakers urged everyone to get back in the busses before the cloud of toxic exhaust fumes had a chance to drift over the Causeway.

Our group piled back into our Grey Line and commenced with the waiting; it would be almost an hour before we moved and another hour or two on the road back to Orlando.  Despite everyone being exhausted (we’d been up all night) the excitement level was high.  Everywhere I looked, people were using the backs of their cameras to show off their photos and video.

While I was sitting there, I happened to glance out the window.  The sun was still below the horizon, but it had started to illuminate just a bit of the Shuttle’s wind-swept contrail.  I remembered something I’d read from Stan Jirman’s (excellent, excellent, excellent!) Shuttle Launch Photography web page:

With a day launch, some of the best pictures are taken after the shuttle is gone. The exhaust fumes often create spectacular cloud formations which are more impressive than a shuttle lifting off (admit it, you have seen pics of a shuttle launch before, but not necessarily one of a cloud like below). [photo link]

I knew we weren’t supposed to be outside, but I decided that asking the bus driver was worth a shot (so to speak!)  I removed my camera’s 400mm equivalent, snapped on a shorter lens, then walked up the aisle to ask if he wouldn’t mind opening up the door for me.  “Of course!  No problem!”

I took maybe three steps from the bus, lifted up my camera, and fired off two, three-shot bursts.  Both bracketed by 1 stop, but otherwise just using the automatic settings. I was back in my seat thirty seconds later.  I checked them out on the camera’s LCD screen and decided my favorite was one of the darker (-1 stop) exposures.

Now tell me that doesn’t look just like a Chinese Dragon!

Canon 5D Mark II
Date: 6:55am, 5 April 2010
Focal Length: 24mm
Shutter: 1/20 second
Aperture: F/5.6
ISO: 100
Photoshop: Slight color correction.

When I first went to Machu Picchu, I tried to absorb as much of it as I could.  I figured it was going to be a once-in-a-lifetime experience.  Same thing with the Galapagos; while I was there, I slept as little as possible so that I wouldn’t miss a thing.  Funny thing is, I actually went back to the Galapagos a second time and (I still can’t get over this!) I’ve been to Machu Picchu three times now.

So when I planned to attend the Space Shuttle Discovery launch last month, even though they’re retiring the Shuttle program, and even though arranging a viewing six miles away is still crazy expensive, and even though I live almost 3,300 miles away in Alaska, I guess I really shouldn’t have counted on it being another once-in-a-lifetime thing.  Because you never know.

When I got back to Juneau after the STS-131 launch, my friend, Joe, ReTweeted a message from NASA on Twitter:

Chance to see launch! RT @NASA: registration for STS-132 launch will open Apr 19-20. You don’t have to be 1st! http://www.nasa.gov/tweetup

I followed the link, read that registration for a NASA-sponsored “tweetup” would open at 6am Alaska time the following Monday, and set an appointment for it in my calendar.  When that morning rolled around, I filled out the sparse information they asked for and promptly forgot about the whole thing.

What was the harm?  I figured tons of people would be signing up, and if by some miracle I was selected, I’d figure it all out later.  Well, guess what.  A few days later I got the email; I’m in!
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To celebrate the finale of Australian Idol in 2007, Sydney hosted a fireworks display over the Sydney Opera House.  Much of the story of how we came to see it is presented in Postcard Valet episode 8, but we never mentioned there how we took our photographs in it.

Oksana and I sort of knew there was going to be a fireworks display (even if we didn’t let on in the podcast), so we made sure to get set up beforehand.  What we didn’t know, was when the fireworks were going to go off.  The results were being broadcast live on TV, but it wasn’t as if anyone at Circular Quay had a television…

So we set up two cameras – one for video, one for stills.  The video camera was perched on a tiny tripod atop a piling.  The best we could do with our DSLR was to balance it a little lower down on a railing.  Unfortunately, there was a short stairway down to the water in front of us and other bystanders kept standing right in front of it.

We had the Opera House framed pretty well, but we had no idea how high up the fireworks would be so we just waited. And waited.

You can see in the podcast that when the fireworks finally went off, they were higher than we thought they’d be.  The camera was already set on manual with long exposures, so while I recomposed the shot with the video camera, Oksana simply tilted our still camera back and began taking successive 8 second exposures.  We had 10 files on the flash card by the end of the show, so I guess that means it was somewhere around 90 seconds long.  Seemed longer.

Some of those photos are overexposed, especially toward the end when they wrapped up the pyrotechnics display with a huge finale.  Others have too much smoke hanging in the air.  While this one might not be the very best of the bunch, it’s my favorite.

Canon Digital Rebel XT
Date: 25 November 2007; 9:03pm
Focal Length: 28mm
Shutter: 8 seconds
Aperture: F/10
ISO: 200
Photoshop: Cropped and slightly rotated.