My grandparents have a cottage on the beach in Nags Head, North Carolina.  It’s one of the places I think of as “home,” and I try to get back there as often as possible.  Nags Head has grown up a lot in my lifetime — it’s actually quite crowded in the summer now — but photogenic scenes still abound.

As a kid, I was always given a downstairs or back room in the cottage.  On the last couple visits, however, I was given what I still consider to be an “adult” bedroom.  (Not because I was all grown up; I’m still in the third generation down on the totem pole!  I was simply the oldest family member visiting at the time.)  Other than my grandparents’ room, this is the only room facing the ocean.  At night you can open the windows and let the salt air and surf lull you to sleep.  Early in the morning, the sunlight pours into the room as the sun climbs up out of the ocean.

I’m not a morning person.  Given the choice, I’ll take my camera out of its bag for the latter golden hour.  I spent most of my last Nags Head vacation reading in the hammock.  I never built up the motivation to go out picture hunting.  But on my last morning there, that warm, bright sunlight came streaming in the windows and pulled me out of bed.  One last walk in the sand before heading off to the airport.

The Nags Head pier is only about a half mile down the beach from the cottage.  On a morning with a calm, featureless ocean and an empty expanse of sand, it was the only obvious photography subject.  I walked up to it, under it, right beside it, trying to find the best way to fit both it and the morning sun into frame.  I took about a dozen photos, varying the exposure and switching between portrait and landscape shots.  This was my favorite.

I like that the guy casting his pole creates a little bit of action for the scene (in the 8 MegaPixel original, you can just barely make out the fishing line.)  I like the small details, like the seagulls waiting on the rail, and the guy on the end of the pier with his pole pointed straight down.  Often, digital cameras add weird color gradients to pictures of the sun.  I love how the red and yellow rings came through on this one.

There was only one thing I didn’t like, and it was easily removed.  There used a small smudge in the sky above the cast fishing line.  I’m almost positive it couldn’t have been a fingerprint on the lens — the photos taken before and after this one are clean.  Perhaps it was a small bug, passing in front of my camera, I don’t know.  At any rate, Photoshop’s healing brush made quick work of it.  I also used Photoshop’s Level tools to darken the shadows just a tad.  It gives the photo just a little bit more of that silhouette feel.

Canon Digital Rebel XT
Date: 30 June 2006; 6:20am
Focal Length: 55mm
Shutter: 1/800 second
Aperture: F/5.6
Photoshop:  Levels adjustment, removed small, blurry smudge in sky

Jeez, I just realized that all the photos I’ve posted so far have some sort of body of water in them!  Well, except Moscow Thunderstorms, but even in that one you could argue that rain was in the background.  I gotta find a dry picture next week.

The day my Canon XT was scheduled to arrive was the day we planned to leave for a 3-day weekend up Taku River.  UPS opted not to leave the package at our door that afternoon, so our only recourse was to try to pick it up sometime after the truck returned to the warehouse.  I managed to get my hands on it with barely an hour left before we had to leave.  The XT’s proprietary batteries were the same ones used in the Canon s-series, so I borrowed a charger from a friend who owned an s70 just so I could begin charging all three batteries.  Within 45 minutes I had at least a partial charge on each.  I had no idea if they’d last through the weekend and the cabin we were going to had no electricity.

That weekend, I mostly shot on auto as I learned how to use the new camera.  Two of the days were grey and overcast, but Saturday was beautiful.  I woke up at 5:30am for some reason, and looked out the window.  The sun was just rising over the mountains behind the cabin, and only a few wisps of clouds painted the sky.  The air was still and the river was so flat that the reflections in it were almost mirror quality.  I crept downstairs and out the door, hoping that I could catch a few “golden hour” photos.

While everyone else slept, I stood on the banks of the Taku and experimented with my new camera’s settings.  I also peed behind a tree.

Often, when I’m looking through my photos, I pass by pictures like this with barely a second thought.  I think it’s because landscapes like this are common where I live (at least when it’s not raining), and I don’t appreciate them as much as the exotic (to me) landscapes I see while on vacation.  I’m thinking about my reaction to the HAVO Lights picture I posted last week.  Do I enjoy that photo because it’s a good photo, or do my memories of the evening tint my appreciation of it?  The opposite may be true here.  Does this picture capture something special or is it just another blasé Southeast Alaska composition?  I don’t know if I can trust own opinion.

Who cares?  I can enjoy this picture for its instructional merits.  This was one of the first photos I took that pushed the XT’s exposure latitude to its extremes.  I like that the snow on the mountains maintains almost all of its color information, while the deep dark tree line just barely has any detail left.  In the original, the log jutting from the river was inky, too, but in my Photoshop experimentations, I decided to apply a curves-based gradient from the bottom edge of the image to the shoreline.  In effect, this lightened the lower half of the image — pulling out some detail in that log — without overexposing the snowy highlights above.

I also applied warming filter (85) after the fact.  It added just a hint of color that I (romantically, perhaps) think was there at sunrise, anyway.  Besides, with the exception of the sunlit trees on the left, the domination of blue and whites made for a chilly photograph.  It seemed an injustice to such a warm, Memorial Day weekend. 

Oh, and those batteries?  I shouldn’t have worried.  Since the XT is an SLR, it hardly uses any juice.  Compared to the point-and-shoot s30, which uses its LCD screen for practically everything, it seems like I hardly ever have to recharge.

Canon Digital Rebel XT
Date: 28 May 2005; 5:31am
Focal Length: 55mm
Shutter: 1/400 second
Aperture: F/14
ISO: 400
Photoshop: Applied Warming Filter #85, brightened lower half of image.

Click “more” for a comparison of the final image to the original.

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The great tourist myth of Hawaii, perpetrated by all the television travel documentaries, is that you’ll see rivers of flowing lava.  Indeed you will, if you go to any of the museums with video display terminals.  Apparently, the really fantastic displays occur, oh, every ten or twenty years.  And when they do, cars are piled up for miles and miles as even the locals cram closer for a look.

That’s not to say that you won’t get a chance to see some geothermal activity if you visit.  A heli-tour over Kilauea might give you a peek down into its active crater.  Sulfur steam vents abound in Hawaii’s Volcano National park.  And if it’s the frozen black lava you’re after…  Well!  The Big Island’s got more of that than you can imagine.

One of my favorite nights on Kona was spent watching lava spill into the sea.  The active craters of Kilauea are miles inland, but underground lava tubes transport a steady stream of molten rock to the sea.  Where it meets the water, a huge cloud of steam billows upward.  Due to a terrible parking space, we had to hurry to get out onto the lava field before dark.

Canon Digital Rebel XT
Date: 16 August 2005
Focal Length: 48mm
Shutter: 30 seconds
Aperture: F/4.5
Photoshop: Cropped, minor cloning away of lens artifacts,
somewhat extensive use of burn/dodge tools (never exceeding 30%)

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Last year Oksana and I observed Memorial Day with a few of our friends on the bank of the Taku River . It was a great weekend spent hiking, canoeing, and hiding in the cabin from bloodthirsty mosquitoes. My toy for the weekend was a new digital SLR that arrived in the mail just hours before our departure; I barely had enough time to charge the battery. I put it through its paces that weekend, though, coming close to filing the 1GB card.

On our second day there, our group decided to hike up the side of a mountain. Our goal was to have lunch on the shore of a beautiful lake where we would reward ourselves for navigating the steep, pathless trail alongside some raging river. It became a murderous death march of a hike that only gets worse with each retelling.

The mosquitoes denied us any rest breaks and the lake was still so full of snowmelt that there was no accessible shoreline — the water came right up to the trunks of the encroaching trees. After that legendary climb, new camera in hand, I wouldn’t be denied. While everyone else helped construct a tiny, smoky fire to keep the mosquitoes at bay, I fought my way down to the edge of the water and sacrificed a dry hiking boot so that I could step out onto a partially submerged rock.

I quickly set my exposure and focus points and started taking pictures. It took 40 frames to cover the entire lake, and if the mosquitoes hadn’t found my near-motionless arms and face around shot #10, I probably wouldn’t have missed the extra coverage on the bottom right. Still, I was pleasantly surprised to see the results when I stitched all 40 photos into a panorama.

Canon Digital Rebel XT
Date: 28 May 2005
Focal Length: 18mm
Shutter: 1/640 second
Aperture: F/5.6
Photoshop: Autostitch for stitching, cloning in upper left to fill in tree branches

More on the software I used after the jump:
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My luck in photographing lightning seems to be improving.

While in Moscow, Oksana and I hooked up with Vika, an old friend of hers who used to be a fellow Russian exchange/international student in Juneau. She and her boyfriend, Vanya, took us out to a restaurant on the 22nd floor of a university building. As the sun set, all of Moscow was laid out before us.

Just before dinner arrived, at Vanya’s insistence, I attempted to capture a lightning strike from a fast-approaching thunderstorm. Only three shots into my attempt, Oksana called me back to the table; dinner had been served. “Last one,” I called, just before a bolt shot down.

During dinner, the storm built in intensity. As soon as I finished my meal, I excused myself for another attempt. The very next photo, the one pictured above with two almost-simultaneous strikes, was the result. Seconds later, the wind and rain chased us inside.

By the time we settled the check and made it downstairs, a good-sized pond had formed in the building’s courtyard and doorway. Vanya and Andrey bravely sacrificed their aridity (but not their shoes) in a mad dash out to the car for the umbrellas stashed within.

Canon Digital Rebel XT
Date: 15 July 2006
Focal Length: 18mm
Shutter: 25 seconds
Aperture: F/20
Photoshop: Minor color correction, minor cropping
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To me, this photograph represents patience. As a thunderstorm brewed around us on the beach in Nags Head, NC, I sat on the porch and snapped photo after photo, trying to capture a bolt of lightning. I took seventy photos in all, each one exposed for 30-seconds. This was lucky number 57.

I didn’t have a tripod (I used the railing on the porch), and the strong gusts of wind meant that I had to hold the camera down with my hand. That, or the multiple flashes of lightning, must have been what caused some strange blurry artifacts along the right-hand edge of the house. They were easy to Photoshop away, though, plus it gave me an excuse to remove some telephone lines on the left and level the horizon while I was at it.

After looking at all the other pictures, most of which have nothing but black clouds, I find it amazing that this lightning bolt struck so perfectly in the frame. And to think I almost gave up and went inside around picture #45…

Canon Digital Rebel XT
Date: 29 June 2006
Focal Length: 18mm
Shutter: 30 seconds
Aperture: F/3.5
Photoshop: some cloning, wire removal, minor rotation and crop

Just for fun, two more variations can be seen after the jump.
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