I have a new theory.  The time I spend playing with a picture in Photoshop is inversely proportional to the quality of the original image.  On the face of it, that seems obvious, right?  If the photo sucks, you’re really going to have to work it over in the digital darkroom.  But then, if the picture is good, Photoshop work is more like play, and I can spend hours playing…  Okay, so maybe my new theory doesn’t have a proof.

This is a stitched panorama of the immense Haleakala Crater on Maui Island, Hawaii.  I believe it’s taken from the Kalahaku Overlook, but because Oksana and I stumbled upon this scenic view, I could be mistaken.  I wrote a bit about that day.

The view is awesome, of course, in the true sense of the word.  We spent at least 45 minutes hanging out at the railing, took countless pictures and even a time-lapse video of the clouds boiling below.  And though I like the panoramic photo you see here, I don’t think it’s one of my better pictures.  I wish I could put my thumb on why.

Is there too much sky?  Maybe, but if I crop it out the panorama becomes too thin.  Is it that the depth of the valley doesn’t translate?  We were practically standing on a vertical cliff, but here it looks like you could almost along the dip in the middle until you reached the crater floor below.

I tried a dozen variations of cropping, trying to make things right.  I lightened up some of the foreground elements, trying to create a sense of depth.  I even spent some time cloning out a huge foreground handrail in the lower right corner.  I know the scene is good; I just can’t seem to make the photo do it justice. 

But that doesn’t mean I can’t post it on my blog, now, does it?

It’s hard to see in the small version of this panorama, but the black lava flows and red cinder cones make for some attractive (also in the true sense of the word!) scenery.  I wish we had planned an excursion down into that crater.  As it was, we were only on Haleakala for the sunrise — we didn’t think to bring the hiking gear, extra water, maps, and cabin reservations that would have made a hike down Sliding Sands Trail really worthwhile.  Maybe next time.

Canon Digital Rebet XT
Date: 12 August 2005
Focal Length: 18mm
Shutter: 1/1000 second
Aperture: F/5
ISO: 100
Photoshop: Stitched with Autostitch, cropped, cloned extra rock on right, dodged foreground rocks, auto color adjustment

Continue reading to see the actual detail in the final panorama…

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3:15am. That’s how early you have to get up to beat the sunrise to the peak of Maui’s tallest volcano, Haleakala. When you’re staying in Kihei, that is.

We had packed the night before, so we were out the door fifteen minutes later. The roads of Maui are essentially deserted at 3:30am, at least until you start climbing the winding Haleakala Highway up the volcano. Even before dawn, cars group up and ascend in clumps.

Although tired, Oksana and I enjoyed the dark ride up the mountain. Below us were thousands of lights (and what looked to be a large sugarcane fire) illuminating the flat valley between Kahului and Kihei. Above us, the Perseid meteor showers were at their height and even with my attention focused on the steep curves, I couldn’t help but see half a dozen bright shooting stars in the clear mountain air.

The park itself is open 24 hours a day, even though the entrance may not be staffed. We coasted to a stop at a place where the cars lined behind a ticket vending machine. Many drivers had exited their warm cars and were standing in a line with their arms crossed and their shoulders hunched against the cold. Some guy couldn’t get the machine to accept his wrinkly old ten, so to get the line moving again, Oksana traded him a crisp $10 bill. Of course, when her time came, no one would exchange theirs for the dog-eared reject. She came back to the car, grabbed a twenty from my wallet, and soon returned with 10 silver dollars in change.
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