It rains a lot in Southeast Alaska, but when it’s sunny, there’s no place I’d rather be.  Besides the Playboy Mansion.
 
Oksana’s been struggling to get back to a 40-hour work week, but the weather was just too nice on the third weekend in August to let her spend it behind a desk.  I convinced her to pass the day with me instead, and we decided to drive out to Eagle Beach and hike around.  The tide was high and the little strip of rocky shore that remained was already crowded with people.  We decided to walk through the tall grass fields along the river.
 
Walking slowly, taking pictures of flowers on the shore and the occasional sea lion poking his head out of the river, Oksana suddenly stopped walking.
 
“I smell strawberries.” she said.
 
“What?  I don’t smell anything.”
 
“There are strawberries here!”

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The great tourist myth of Hawaii, perpetrated by all the television travel documentaries, is that you’ll see rivers of flowing lava.  Indeed you will, if you go to any of the museums with video display terminals.  Apparently, the really fantastic displays occur, oh, every ten or twenty years.  And when they do, cars are piled up for miles and miles as even the locals cram closer for a look.

That’s not to say that you won’t get a chance to see some geothermal activity if you visit.  A heli-tour over Kilauea might give you a peek down into its active crater.  Sulfur steam vents abound in Hawaii’s Volcano National park.  And if it’s the frozen black lava you’re after…  Well!  The Big Island’s got more of that than you can imagine.

One of my favorite nights on Kona was spent watching lava spill into the sea.  The active craters of Kilauea are miles inland, but underground lava tubes transport a steady stream of molten rock to the sea.  Where it meets the water, a huge cloud of steam billows upward.  Due to a terrible parking space, we had to hurry to get out onto the lava field before dark.

Canon Digital Rebel XT
Date: 16 August 2005
Focal Length: 48mm
Shutter: 30 seconds
Aperture: F/4.5
Photoshop: Cropped, minor cloning away of lens artifacts,
somewhat extensive use of burn/dodge tools (never exceeding 30%)

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